‘Lego’ is an abbreviation of the words leg godt, which is Danish for ‘play well’. The first brick was released in 1958, the year of my birth by the very clever Ole Kirk Kristiansen and it was developed in his wood workshop.
Ole was, like me, a carpenter and the toy was a development from traditional stackable wooden blocks taking advantage of the new plastics developed then. Lego makes sense to me because it is based upon bricks, like the building bricks of life, of chemistry, of physics, of poetry, of great literature – it has profound symmetry.
When I was a boy I never went anywhere without my bag of Lego. Most of it, my father bought for me, a carpenter himself. He knew about the importance of archetypes in architecture, and he knew about the importance of ‘playing well’ with building blocks. He was my geometer.
I was born in Nigeria and raised in various countries along West Africa’s Gold Coast. When, in 1964, we eventually returned for good or Ill, to live in England, I was 6 years old, and had barely survived several bouts of cerebral malaria. My Dad had bought a little semi-detached house in Matlock, Derbyshire at the top of Wolds Rise.
I had never seen snow.
At school I was ridiculed for having a weird name – ‘Henk’ – invariably pronounced ‘Hank’. Later, in senior school the ‘W’ substituted the ‘H’ of Hank.
I was a ‘white’ black boy (and I use the term euphemistically for the unacceptable ‘N’ word they used daily). It was the first time I had encountered xenophobia. It was endemic in early 1960’s Britain.
I never encountered such vile racism in Africa.
My mother, a Dutch born naturalised British Citizen, was treated with hostility in the town because the local people thought that ‘Them Dutchies’ were the same as ‘Them Nazis’. And, after all “We won the bloody war, you should be grateful!”.
She always had an answer for them, but she never knew when to shut up.
Mam was descended from an old, entitled, aristocratic Dutch family. Van de Poll.
Jongkvrouw literally means ‘little princess’. In the Low Countries it denotes a rank of nobility. Like the English ‘hedge knight’ – a glorified mercenary who fights for a Sovereign Lord for the spoils of war.
Being slightly posh but having no property is always a good way to develop an enormous sense of self entitlement. My mother radiated this and, I have to admit, it has its uses.
It is called gold plated bullshit.
My Father, on the other hand was the strong silent type. He went back to West Africa to earn his living and so the marriage did not survive.
My mother believed she could be both mother and father to me. Gold plated bullshit.
My father was a grafter. A working class lad from Huddersfield who knew the cost and, most importantly, the value of Everything. I learned from a Master.
His motto:
“Life is a shit sandwich son, the more bread you have the better it tastes”.
Thus I could chose between a coat of arms or an undercoat of many colours.
He was the only man who was brave enough to help my dear wife Clare to reach in and drag me from my pit of self induced hell, by uttering these immortal words:
“Steady on Son”
His hand on my knee.
So I choose to live the life of a carpenter. To earn my daily bread by making wooden artefacts – the rewards are fantastic.
The Chinese Characters on the screen say:
Tree
Woman
Art
Thank you Father.
David Stuart Littlewood
Carpenter, Father, Comedian.
Born in the Vernal Equinox 1930, returned to our Lord, the Big Carpenter, on his Birthday 2017.
You look so like your dad Henk, He obviously had a great influence on your life and if your children and grandchildren take after you the world will be a better place.
Thinking of you all at this difficult time. Xx
I’ve enjoyed reading your blog. (Sometimes I don’t understand the big words though ๐๐)
I don’t either Jill, they are often Dad’s! x