Archive | November, 2016

Bridge

25 Nov

Leonardo Da Vinci is my hero: Artist and Scientist – a genuine Polymath.

Of course I tried to emulate him when I was eight by convincing myself that I could hold a sheet of hard board over my head and glide from the top of a wall over the park near where we lived in Matlock. I had been inspired by his glider (below), and by the works of our model aeroplane enthusiast and neighbour, Mike Green.

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I chucked myself off the six foot wall leading to the swings holding the sheet of hardboard aloft …..and promptly plummeted to earth, losing my grip on the hardboard sheet and falling in a bruised heap. To add insult to injury the board came crashing down on my head.

Leonardo would have laughed. More recently I came across his design for a simple bridge made of poles that interlock in my search for a new engaging sculpture project, following the success of the Ruskin Sculpture.

This Spring I made a Leonardo bridge with my friends in the Shire Brook Valley and this lovely little film records our adventure.

I thought a modular bridge would be a fine thing to make. Rivers are so important to Sheffield’s heritage and life, connecting people across the many rivers of South Yorkshire has become a deep underlying theme in our landscape. I looked to Leonardo and used natural sustainable materials gleaned from the landscape of South Yorkshire (coppiced hazel), using skills learned as a professional Ranger between 2004 – 2013.

The friends who gave up their weekend for this whimsy were:

Robert Twigg – photographer and film maker; Maxwell Ayamba – Environmental Journalist;  Emma Condor and Michael Durband (Durbs) – Creative Explorer Activities inventors and valued furniture clients (owners of Boudicca); Will Ferraby – Knife Maker.

Other generous people contributed by listening to my thoughts, and by sharing theirs, most notably – inventor and artist Giles Grover.

The ‘Bridge over The River Why’ and the people that helped me are now an integral part of my long term memory. Memory is a temporal bridge.

Deep within our own brains we have a vital bridge called the Corpus Callosum, which connects the right and left hemispheres. Above, and around it, lies a structure shaped like a cresting wave called the Hippocampus – it is the seat of long term memory and emotion, and an important part of the Limbic System. Recent studies suggest a link between Hippocampus volume and BiPolar disorder the condition which I live with. I suspect the researchers might be better employed investigating the relationship between the Hippocampus and the corpus callosum – for the right and left bits of my brain are constantly chucking each other ‘off the wall’.

The Hippocampus is named after the wild half-horse, half fish beasts  – Hippocamps – which the Ancient Greeks believed drew Poseidon’s Chariot through the galloping surf in and were inspired by the galloping rollers of wild surf.

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Dear friends, I shall continue to build bridges in 2017 using ideas gleaned from dialogue, myth  and the inventions of polymaths and, in these troubled times, engage people to connect.

Its just my kind of jazz you see?

 

 

 

Trinity

12 Nov

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Yggdrasil – the World Tree of Norse Mythology – traditionally a gigantic ash, is the tree upon which Odin hung in his never ending quest for wisdom. He drank from the stream which courses beneath the roots of the great tree and he lost an eye in payment. Mimir is  literally ‘The Rememberer’.

I made this bed as a commission for the generous and thoughtful mother of a beloved daughter and her partner as the seal upon their hard won quest to design and build their own home. The bed frame is made from a very old and spalted Fraxinus excelsior or European Ash, and the posts and book matched laths of the head board are derived from a huge yew tree which had languished in a stack of 4 inch boards in a builder’s garage in Beighton for many years.

When I consulted the family of three, the daughter requested that I carve a celtic knot – also known as a Triquetra – in the foot board.

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The triquetra has a well known modern Christian resonance: Father, Son and Holy Ghost, and in ancient Celtic and neo-pagan traditions representing the Sacred Feminine – the three ages of woman: Maiden, Mother and Crone.

My Mam a single mother in the 1960’s and 70’s used to say that together, she, my brother and I were invincible because we were a ‘three’. She believed that the number 3 had immense power.

Pythagoras taught that 3 is the first true number because it forms the first geometrical figure, a triangle. Odin’s valknut, a symbol of three interlocking triangles is a symbol of great power and significance in Viking Folklore. This one is carved on the Stora Hammars Stone on the Swedish Island of Gotland and it is intimately associated with the All Father.

valknut-stora-hammars-iIn the words of historian H.R. Ellis Davidson, “Odin had the power to lay bonds upon the mind, so that men became helpless in battle, and he could also loosen the tensions of fear and strain by his gifts of battle-madness, intoxication, and inspiration.” She and others interpret the Valknut, with its knot-like appearance, as a symbolic expression of this idea (Ellis Davidson, Hilda Roderick. 1964. Gods and Myths of Northern Europe. p. 147.).

To carve a Triquetra, one has to first draw three interlocking circles to form the outline these are also known as ‘Borromean’ rings (after the Italian family Borromeo’s coat of arms)

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And then you can get down to the business of carving…

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…which involves repeatedly stabbing vertically along the outline of the motif and then gouging into the wood toward the stab line. This takes a lot of concentration, especially when one has already made the foot board as a single modular piece.

Carving directly onto a completed piece of furniture requires concentration and what we might call ‘bottle’ or courage. I learned from my client that her daughter and co-owner of the bed is a hand surgeon – I can think of no greater need for bottle than when working to repair that quintessentially primate character, the hand. The hand is my instrument, my means of expression and so I decided to go for broke and carve straight into the finished head board out of respect for my clients.

Speaking of bottle my younger brother Simon who lives in San Francisco and is both a master carpenter, music maker and brewer of fine Pale Ales might approve of this Trinity – it is perhaps quite apposite for us Littlewood brothers.

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It appears on an American IPA, Ballantine and is of 7.2% alcohol by volume – potent!