Conception

22 Oct

fertility

Conception can mean the precise instant a sperm fertilises an ovum to make an embryo, or, how something is perceived – as in a ‘concept‘.

My son-in-law and daughter Alan and Polly Howden told us that they were expecting a baby in Spring – this had the effect of making me feel very happy for them and for my wife and I. Unfortunately my head was instantly filled with woodwork projects ranging from spoons, to bowls, rattles and roundabouts, cots and cradles, basinets and boats, rocking horses and tree houses. My head was literally filled with wooden concepts!

Sometimes, as in the figured sycamore of the little sideboard below, Nature can be quite literal.

spermatozoa

This little sideboard, made for a wonderful and witty client is called, for obvious reasons – ‘Fertility’. When it was finished, she said to me, “The nice thing about this cabinet is that no-one in the whole world will ever have one like it!”

This is how I try to respond to my customers desires. It is the true essence of ‘bespoke’. We spoke and it was, in my hands and thanks to a splendid tree…. to be. Like children and treasure, all my designs are unique.

Recently, I completed a corner cabinet for a new Exhibition at Yorkshire Artspace called ‘Curious Cabinets‘. I thought of it as ‘Mrs Caligiari‘s  Cabinet’.

The organiser, Sharon Moss, a fine artist, arranged an adventurous trip to the Alfred Denny Zoology museum at Sheffield University to inspire the participants.

I make my living as a carpenter and sculptor by ‘making to commission’, this process and the nature of the material I work with are integral to my artistic practise.  It was obvious to me that I needed a client to make for in order to be truly inspired. I was not interested in trying to find a cabinet and fill it with things in order to make a piece of art, or tell an interesting story. To me the cabinet is the concept.

My friend Chiara Bet, an illustrator and jeweller and I had a useful discussion and agreed to be my conceptual ‘client’ – I like working for people with a vivid imagination and I had already made a piece for her in the past. As both of us have an interest in anatomy, the Divine Comedy by the incomparable Dante Alighieri and the bizarre, I decided that I would design a cabinet fit for her work and entertain the curious notion that a cabinet might, in time, be transformed by its contents. I committed several hundred pounds worth of my best timber stock to the venture and a significant chunk of time – about 200 man hours in all. I also enlisted the help of a glass artist Debra Burrell who slumped (curved in a kiln) two pieces of glass for me so that I could make an elegant a bow fronted door.

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Here it is in my studio, and here it is as it appears right now in the Exhibition at Exchange Place, filled with Chiara’s jewellery and some of her drawings hidden away in a secret drawer.

dr-caligiaris-other-cabinet

There are no shelves in the interior, but I have carved deep grooves and folds in the flesh-like lacewood to display the jewellery and give a sense of fertilised and developing embryos.

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A spinal column is visible and at the rear a tail. The legs are ‘Queen Anne’ – so it looks like it might scuttle away when you are not looking. The floor is carved as the interior of a womb, and the whole represents the placental mammalian cabinet of life. Access to the secret drawer ….. well, you will have to come and see for yourself to find out how and why.

This wholly piece of furniture was designed by me from the fertilisation of ideas arising from a dialogue – a concept I firmly believe sits at the root of all intelligence.

The Judges at Art in the Gardens seemed to like it enough to give it a Gold Award at the Sheffield Botanic Gardens this summer.

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Speaking of the Howden/Littlewood concept, I shall enjoy being a making sort of grandfather.

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