Eel

12 Dec

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I was asked to make a writing slope for a fisherman. I came across an end section on a 16 foot slab of sycamore in my timber store, cut from near the root ball of an old tree. Nicely spalted by invading fungi and with a hint of stress figuring – it spoke of stream. At 2 inches thick I was able to chamfer the top and bottom of the piece and turn a little foot on the lathe to make the piece stand up at comfortable angle for the writer.

As I was carving out the groove for the pen with my router I had a thought, “…what if?”. Digging out my pyrography kit I sketched the outline of an eel around the groove of the pen holder.

I was well pleased with the effect.

When asked to describe what I do for a living (a perennial British Obsession used to classify new acquaintances into categories of usefulness, inferiority or ‘be nice and forget’) I use various descriptions depending upon the audience: woodworker, carpenter, cabinet maker, furniture designer, but never do I use the word ‘Artist’.

It seems somehow disreputable. Implying an ability to move sinuously, to evade responsibility in order to avoid actual work, to ‘eel’ in fact.

eel life cycle

Yet eels are the most spectacular fish – able to adapt to both fresh and salt water. In fact the common European eel lays its eggs in the Sargasso Sea in the Atlantic Ocean, hatching to release larvae which will grow into glass eels. These little creatures swim thousands of miles to the rivers and canals from which their parents journeyed to grow, and fatten and mature. They then spawn in estuaries in the transition zone from fresh to salt water. The life history of the eel is enigmatic – it is only relatively recently that it has been uncovered. Eels taste delicious too – it must be all that maritime migration – a sort of ‘marination’ lacing their flesh with taste from the experience of travel and experiencing such different worlds.

So it is as an ‘Artist’ I will greet 2016 migrating this new piece to the Millennium Gallery. Commissioned by the gallery for an exhibition on Craft and Art it will have forty small paintings inspired by the life, work and thoughts of John Ruskin hanging in it – the contribution of my collaborator, the artist Mir Jansen.

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Some very friendly people came to view this at Exchange Place whilst it was marinating in my studio,  at Yorkshire Artspace’s annual public ‘Open Studios’ event. One visitor liked it so much she has asked me to make a piece  for her new sculpture garden in the new year.

It appears one must adapt, like the eel, to ever changing environmental conditions in order to migrate onwards.

Merry Christmas dear reader, may Santa’s Sleigh bring you joy and inspiration …just like my blue truck does for me. Blue as the Sargasso Sea.

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